Monday, 7 December 2009
The Madonna/Whore complex
Within the context of Dracula, this complex is fairly important as, despite both Mina and Lucy being virginal, Lucy is seen as the whore stereotype and Mina is seen as the Madonna stereotype. At the beginning of the novel, Lucy is desired by many men and even receives three marriage proposals in one. Then later on in the book, Lucy is bitten by Dracula, she has been ‘penetrated.’ After this event has occurred, Lucy’s physical appearance has changed and we see her, “pure [turn to] voluptuous wantonness.” Then Lucy is no longer desired by many men, despite her appearance being prettier, only Arthur still is in love with her. And even then Van Helsing won’t let Arthur near Lucy and her new whore-like characteristics. Tis shows that men far more crave the Madonna type of woman.
Saturday, 5 December 2009
Dracula- Chapter 5
The use of letters between Mina and Lucy also allows the reader to get to know the characters more quickly. If a narrator simply explained the two characters’ thoughts and feelings and actions, the reader wouldn’t feel as close to them or have as much sympathy for the characters. This is particularly important for Lucy as she becomes ill and then dies fairly early on in the book and this more direct way of communicating with the reader will allow them to feel sorry for Lucy and ultimately her fate.
The reader may be more inclined to believe events that are told to them if it is through letter form. This is because it is not through a narrator and so it seems more direct and real. Lucy and Mina aren’t trying to convince the reader that what they say is true and real, these are private and confidential letters being read. Therefore they have no cause to lie and so this will help to add to the book’s attempts to make us believe that the novel’s events are true.
Letters between Lucy and Mina have the effect of showing a contrast between the two characters. Mina is shown to be very committed and almost, ‘wifely’ to Jonathan, “when we are married I shall be able to be useful to Jonathan.” Whereas Lucy appears to be almost promiscuous, “why can’t they let a girl marry three men?” The closeness of these comments highlights the differences between the two girls.
Wednesday, 11 November 2009
Verisimilitude in the Opening of Dracula
Once the definition of verisimilitude was established, we than began to look at the opening of Dracula in relation to this. The first extract is from page 8/9 and contains many verisimilitudes and details such as descriptions of the local people, “strangest figures we saw were the Slovaks, who were more Barbarian than the rest, with their big cow-boy hats, great baggy dirty-belts, nearly a foot wide, all studded over with brass nails.” This one sentence alone contains much factual information about the clothing and appearance of the people, it is not very orientated around opinions, but around concrete descriptions. The second extract we looked at was on page 13 of Dracula and was less factual; it contained more picturesque and dreamlike descriptions, such as, “the road, losing itself as it swept round the grassy curve.” Finally, the third extract, from page 14, was even less fact based and contained phrases such as, “peasant’s cart with its long, snakelike vertebra,” and, “produced a particularly weird and solemn effect, which carried on thoughts and grim fancies engendered earlier in the evening.” This extract has become even more based upon opinion and contains far more imagery than clear description. Mysticism has entered the novel, and so because the very beginning of the book contained to much factual and relatable information, the reader is potentially more likely to believe what the narrator is telling them. This is particularly important in a book like Dracula, which contains a lot of mythological ideas and so by containing verisimilitudes, the reader may find the ideas more readable and enjoyable.
Friday, 6 November 2009
Docotor Faustus- Le Essay
However, it was at this point, when some difficulties began to arise. The designated writer for a paragraph could not concentrate on writing and discuss every word that they were thinking of writing down. This took too much time and since we were under a time limit, was near impossible. Instead, we would together discuss the next few sentences and then the current writer would write up discussed ideas in their own way. This worked very well and we managed to write more than the other group (whooo!) but it does mean that the essay does not flow as well as if we had discussed exactly what to write word for word. Another disadvantage of doing a group essay is that we wrote far less than if we were doing the essays on our own.
When I came to do my solo essay at home, I found it so much easier because we had had chance to discuss potential points and ideas. And because it was written solely, I was able to finish it the last point, something we didn’t manage as a group and so hopefully this essay should be an improvement on my last Doctor Faustus essay.
Monday, 2 November 2009
Act 5 Scene 2
Faustus’s last speech contains quite a lot of interesting ideas. The one that me and Rosie originally picked up on was where Faustus says, “Let Faustus live in hell a thousand years, a hundred thousand, and at last be saved.” This shows that Faustus accepts what he has done wrong, he sees that he has sinned, “o, if my soul must suffer for my sin,” and understands that he does deserve a punishment. However, what Faustus wants is for the punishment to come to an end and not be eternal. This is very similar to catholic purgatory, where people who have sinned receive temporary punishment from God before being allowed to be admitted to heaven.
Sunday, 1 November 2009
Act 4 Scene 2
We then discussed how this scene in the play could have been performed, looking specifically at the stage direction, “Enter Faustus with a false head.” This is to aid Faustus in pretending to have been decapitated, however it is unclear whether, when being performed, the audience would have been able to tell that Faustus is faking his death. Faustus could be wearing a fake head very similar to a human head, which would make the audience think that Faustus had died when Benvolio attacks him. This would make the resurrection of Faustus more shocking to the audience as they thought him dead, and so it reinforces the power of the devil and hell as Faustus as seemingly just come back from the dead. However, if Faustus were to come on the stage wearing an obviously fake head, and allow the audience to be in on the trick, allow them to see him putting on the fake head. This would make the scene more humorous as the audience knows something that the other actors don’t.
Friday, 30 October 2009
Act 3- scene 1 and scene 2.
We looked at these two scenes in act 3, scene 2 and scene 3, to highlight Marlowe’s use of comedy and serious content in different scenes. Both scenes contain elements of seriousness and comedy, but the humour in these scenes are very similar to each other- they are very much physical. For example, it is clear in scene two to see why the audience would have found the action comical. Faustus is first presented with a, “magic girdle,” which Mephistopheles tells Faustus to, “first wear this girdle, then appear invisible to all are here.” This allows the audience to be in on whichever mischief Faustus gets up to. They are aware that Faustus is there and invisible, so making the scene far more humorous. For had this not been shown to the audience, then any of the antics that Faustus performs would have been confusing to the audience, they would not have had a clue what was causing the moving of items around the stage, therefore making the scene more puzzling than comical. Also, allowing the audience to understand what Faustus is doing would have made the production of the play easier in a theatre, as it is not necessary to make Faustus invisible, items such as the wine would not have to appear to move by themselves. The director could have Faustus move them in front of the audience’s eyes and they’d understand that the other characters could not see Faustus.
A bit later in the scene, Faustus hits the Pope, “Faustus gives the Pope a blow to the head.” And then Mephistopheles and Faustus “beat the Friars and, fling fireworks among them.” This would be funny to the audience as there would be chaos on the stage, and again the audience understands what is going on, but the characters wouldn’t. The humour is something that the audience can physically see; this is the same in scene 3. For example, in scene 3 we physically see Dick and Robin transformed into an ape and a dog, this is funny because these are two characters that the audience has little attachment for, so are not upset by their fate. Instead they are free to enjoy the silliness of the situation, especially the way the pair exit the scene, “Exeunt the two clowns (with Dick on Robin’s back).”
Monday, 21 September 2009
Lesson reflection.
Sunday, 13 September 2009
Doctor Faustus!
Anyway, I have not heard of this play before so am not to sure on the plot itself, nor do I have that many expectations. I have read through a synopsis of the play, so I have some idea about what I am going to read and think that the story does seem fairly interesting. Well, the only thing that really struck me when reading about the play was that it doesn't seem that dark or horrorish (I am aware that this is not a real word). However, jsut from the main plot you can tell that the whole book will be about the struggle Faustus has between good and evil. I can't actually think about this play without thinking about Cats the musical (because of the character of Mephistopheles, and yes i know this is not vey literature related or analytical).
I think that the worst thing about this play, will be the main character. I think that I may spend all of the time I am redaing it annoyed at the character's choices. Faustus, from the summary, seems to know that he is making the wrong decision and yet still go on with it becasue it seems easier in the short term. Only when his life is coming to an end does he think, wait, this is wrong and try to repent his sins. But then again, the author may have written the play in such a way that the reader feels sorrow and pity for Faustus. Oh well, I shall see, and since i have about 24 hours to read this play, I had best get on with it! :S
Saturday, 12 September 2009
Finally finished Dracula!!!
I mean, normally I would never have read Dracula because I was convinced that I knew the story, though looking back I was realy really wrong. For a start, despite having seen the film in lesson not long ago, I was confused about many of the characters and their roles. For example I thought that the man at the start of the film who goes to Transylvania (who I now know to be Jonathan Harker) was Renfield- and that Renfield was a survivor of the ship wrecked ship. Also I am not sure if it was the film that made it seem this way, but I was sure that Lucy died fairly quickly and that her death and life was never fully explored, however near half of the book talks of her downfall and then death. I was actually really rather suprised when she died because i thought she was the character that survived (I now know this to be Mina).
Although these things have been cleared up for me, I'm still confused about the overall locatio of the book. I'm sure I was jsut not paying full attention, but I got the impression that part of the story was set in Whitby- where the two girls (Lucy and Mina) were staying, I also understand that this is where the ship was washed up. But then didn't both girls leave Whitby? The rest of the book centres around the sanitorium, and Dracula's house, I'm sure I'm jsut being dense now, but was this in Whitby still?
Oh well, geography aside, I did enjoy this novel. I really found the characters fascinating. As I have previously said, I am not a fan of first person accounts as you are never sure what has really occured, or what the character perceives to have happened. Anyway, i thought this style really worked for the book, you are able to see how the characters are feeling at different events and so no matter what is occuring you have a really good insight. I'm trying to decide on my favourite character currently, but I can't because as soon as I think of a reason, i straight away think of an equally good point about a different character. A example is I think maybe I like Van Helsing because he speaks so wisely, fairly and quite matter-of-factly to everyone, but then I think, Seward is my favourite because he shows so much compassion for all of the other characters, he does his best to help people he has no obligation to help and is loyal all the way through the book. On another point, the appearance of Dracula himself, suprised me. He is described at the start of the book as having, "a long white moustache," from all the interpretations of Dracula that I have ever seen, he is always completely dark, clothes and hair.
Erm..... i think that's all I have to say, so i think I would give this book 8.1/10. It got such a good mark because despite how long it took me to read it, I was never bored, there is always something happening, no long boring passages of meaningless description or dialogue. However, it lost some of its marks because I really didn't think of it as a horror book. Sure it has some very dark themes, I mean a lot of people die, but it lacked any scaryness pour moi. I jsut looked up horror genre on wikipedia and it says this- "Horror fiction is a genre of fiction in any medium intended to scare, unsettle, or horrify the audience." I feel this book really failed on this front and I'm not sure why, maybe I am jsut being picky and maybe vampires have really been over done, I no longer find the idea in fiction scary. Oh well, I'm waffling so will finish mon post.
Wednesday, 9 September 2009
Starting Dracula.
On the other hand, I may be able to understand the book itslef better, i won't be confused about the plot (like I was with Frankenstein). Also, as we have seen the film in lesson I will be able to imagine the book better in my mind and hopefully my opinion won't be swayed by the director's interpretation of the text. Oh well, i best get on and start reading, atleast the book doesn't look too long.
Wednesday, 26 August 2009
Finshed Bloody Chamber
Actually, to be honest, the book was not as bad as I had anticipated. The short story structure worked well for me as I found the book itself a little boring and so the way it was split into ten sections encouraged me to read more at once.
However, through out reading this book, i kept thinking that there was supposed to be some meaning at the end of each story, for example in, "The Lady in the House of Love," the last line was, "Next day, his regiment embarked for France." I was unsure if that was meant to mean anything significant, if not I'm confused as to why it was given it's own new paragraph. And so I spent most of this book thinking I really am not understanding what is going on. So it was tres hard not to give up and read something easier.
Missed meanings aside, my favourite of the stories was, "The Tiger's Bride," unfortunately, this is not becasue it was particularly good, but because I have something negative to say about all of the other stories. I really id not like the story, "The Bloody Chamber," as i found that it took such a long time for the actual storyline to get going, I mean I'm sure this is intentional to set the scene and such, but i really was sehr bored by the time the woman found her husband's previous wives.
Overall, I guess, if I am being nice, I'd give this book 4.2/10.
Saturday, 22 August 2009
Bloody Chamber
However, the concept of the book is somewhat intriguing. Either it is going to make me see some of my childhood favourite stories in a new and bizarre light, or I'm just going to become more and more annoyed at the author's demonisation of once innocent stories. Oh well, it's only 149 pages- here goes nothing.